Every once in a while a film truly amazes me and Martin Scorsese’s Hugo does just that. Based on the novel, The Invention of Hugo Cabret, by Brian Selznick (distant relative of David O. Selznick) and written for the screen by John Logan, the adventure centers around a young boy, Hugo, who, after the death of this father, lives and works repairing clocks in a train station in 1930’s Paris. This, however, is only half of the story, and soon the audience is taken on a journey of creativity, struggle and loss all based in the history of film.
From the opening shot I was immediately immersed in a 3D world unlike any other I’ve experienced. Instead of going for the cheap gimmicks of 3D, Scorseseuses it as another layer that truly gives a feeling of being in the action. It’s almost as if you are watching it all on a stage from the best seat in the house. Just like in his other films, the camera never seems limited as to where it can go and 3D amplifies that perspective perfectly.
Sir Ben Kingsley has worked with Scorsese before on Shutter Island and in this feature, Kingsley brings a similar stoic and guarded performance that he does so well. He’s a master at keeping the audience at a distance, yet drawing empathy. Sacha Baron Cohen (Borat) is wonderful as the Station Inspector, who is both a villian and a romantic. It’s so great to see him get an opportunity to really shine. He has great timing and is a master of physical comedy.
Asa Butterfield as Hugo, brings an astounding amount depth and emotion using only his eyes. Asa captures Hugo’s strength and vulnerability without sacrificing his youthfulness. He’s got a very bright future ahead of him. Chloe Moretz (Kick-Ass, Let Me In) continues to impress, as she always seems to be wise beyond her years. She’s very articulate yet never rehearsed which is a gift that will no doubt continue to blossom.
The sets of the film are only outdone by the costumes. Every detail is carefully placed and adds to the richness of the story. It’s fascinating to see behind-the-scenes into the world of the massive clocks that keep the station on track. In these sets the 3D is especially effective, as the depths are accentuated by the camera movements.
The story has many slight twists and turns that kept me engaged in the story. I had no problem with the running time of over 2 hours, but those who are taking their children might have some issues. That is where the only fault lies, not with the film, but with what people will presume before seeing it. There will be parents who think they are taking their children, but in all actuality, they are likely to enjoy it far more than the young ones.
Rating: Perfect film and the only one of the year that truly benefits from 3D. 10/10
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